My name isn't Michael Caine

It's not easy is it? I have a vague recollection of choosing to adopt the Michael Caine approach; write often enough and every once in a while something good will happen. The trouble is you need to have focus and sustain it beyond a few paragraphs. Speaking (writing?) of which, did anyone see 'The Quiet American' on BBC 1 last week? What a cracking film; and perhaps proof that the 'Caine' approach is superior to the 'Brando' method.

Has Brando actually been in that many good films? Anyone mentioning 'Last Tango in Paris' will be asked to leave the room… I've never really appreciated 'Apocalypse Now 'and 'On The Waterfront' suffered from a hazy observation that Brando appeared to be wearing too much make-up. God only knows what I was drinking that night.

So you have to think of a topic to write about; for example, film actors. Then develop what might at first appear a controversial thesis; why Caine is "better" than Brando. But even as you write this your mind begins to wander. It's not as if it matters - you'd rather have both than just the one and what does "better" mean anyway? Then you remember (how could you forget) that Brando was in The Godfather, start to think about the cheesecake you have waiting in the fridge and how you'd quite like to watch "The Caine Mutiny" again…