Another three-day break from everything, where I unexpectedly found myself looking after Little Miss R - I hadn't realised it was half term. This might have meant a curtailed film program were it not for the distraction of YouTube and iPlayer and every other high-end consumer of my broadband allowance. As it turns out, I find I don't watch nearly as much as I can, and my reading is equally abject. I am without purpose, wandering up and down the TV schedule unwilling to commit; I even gave up on Tilda Swinton, that’s how bad it got.
Today however, I kicked the malaise. Not through the last episode of Hidden, a conspiracy thriller from the BBC conjuring an old trick; appear more than you are through leaving key questions unresolved. My temporary redemption came through a drama altogether different, unsettling and at first unsatisfactory. The White Ribbon doesn’t provide a neat resolution either but there is, I realised on reflection, a strong message. Michael Haneke described it as a film about "the origin of every type of terrorism, be it of political or religious nature", but it’s not nearly as indulgent as that might sound. Violence corrupts; rarely has this been expressed so well.
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