I’d forgotten it had a soul, and I made the same mistake as before. Eternal Sunshine of The Spotless Mind is a clever film, but the world is awash with such. It’s a film I’ve seen three times now and whilst its cleverness will always impress, it has a point; about making the most of the time we have, reminding me that the good memories aren’t cancelled out by the bad. It was the second-half to a double-bill, though in retrospect I wonder if subject might have been best served by reversing the order.
Lost In Translation. It’s not nearly as technically accomplished and its faults are many; it’s voyeuristic, the depiction of the Japanese is at times caricature (accusations of being racist are simplistic), Scarlett Johansson’s character wanders and wonders, and her husband is such an asshole I wonder why she married him. I even thought all that walking around in her underwear unnecessary; suggesting either my new found maturity or - more likely - a cry for help. Yet it too is a film with heart; two people of different backgrounds, brought together by virtue of being lost and alone. I’m at a time where I can remember being adrift at either age.
The Overwhelming Minority of Safe Lorries
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